{"id":2712,"date":"2025-04-26T20:41:56","date_gmt":"2025-04-26T12:41:56","guid":{"rendered":"https:\/\/couldbe.tw\/clients\/HsiehChun-Te\/?page_id=2712"},"modified":"2026-06-08T12:15:26","modified_gmt":"2026-06-08T04:15:26","slug":"history","status":"publish","type":"page","link":"https:\/\/01x10.tw\/en\/history\/","title":{"rendered":"History"},"content":{"rendered":"\n
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History<\/h2> <\/div>\n<\/div>\n
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Hsieh Chun-Te\u00a0
A Taiwanese Contemporary Artist<\/strong><\/h4> <\/div>\n<\/div>\n\n
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Crossing Boundaries Through Shifting Times and Changing Societies<\/strong>
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Born in 1949 in a rural village in Taichung, Taiwan, Hsieh Chun-Te left vocational high school at sixteen, determined to become a painter. What began as street sketching to hone his drawing skills led him unexpectedly into the world of photography. At seventeen, his father sold farmland to purchase a camera and a 16mm movie camera for him. With these tools, Hsieh left home for Taipei.
At nineteen, he held his first solo exhibition, The Riverbed, at the Seikosha Gallery in Taipei, earning the title of \u201cNineteen-Year-Old Green Hand\u201d from the inaugural issue of Photography Century.<\/p>

At twenty, he was drafted and served three years in Kinmen as a military photographer, enduring artillery bombardments from across the strait. His role also required photographing executions of prisoners\u2014experiences that left an indelible imprint of \u201cdeath rituals\u201d on his artistic consciousness, shaping the recurring themes of endings and rebirth in his later works. Returning home after military service, he found his family\u2019s farmland consumed by urban sprawl, unable to find the road back\u2014becoming, in his words, a self-exiled witness.
From the 1970s to the 1980s, he traveled across Taiwan\u2019s villages and indigenous settlements for fifteen years, creating the documentary series Homeland. In the era of martial law and strict surveillance, his photographic activities often drew suspicion, resulting in interrogations and confiscated film. Despite this, Homeland\u2014with its rich color aesthetics and poetic narrative\u2014 earned him the titles \u201cPoet of Color\u201d and \u201cPoet of Images,\u201d offering solace to a generation living through political unrest.<\/p>

In 1987, Hsieh relocated to the industrial outskirts of Taipei\u2014Sanchong and Luzhou\u2014settling among migrant workers from Taiwan\u2019s south. Again using \u201chome\u201d as his conceptual axis, he began the 24-year epic Sanchong Project, a staged photographic series chronicling the human cost of Taiwan\u2019s rapid industrialization: families shattered by political violence, rural migrants coping with fractured kinship, sexual repression and release in ritual celebrations, and youth challenging entrenched social orders through emergent gender consciousness. Starting from hand-drawn storyboards, Hsieh assembled teams to produce images on a cinematic scale. The work culminated in RAW, presented in 2011 at the Venice Biennale as Feast of Chun-Te, combining photographic installation, spatial design, and culinary theatre.
Critics praised his audacity. Lib\u00e9ration described it as \u201cone of the most staggering performances in the history of the Biennale,\u201d while curator Dominique Pa\u00efni observed in his imagery \u201ca world steeped in the atmosphere of a storm after the mistake, where the body becomes a site of punishment, humiliation, and ritual.\u201d<\/p> <\/div>\n<\/div>\n\n

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As Joerg Bader, Director of the Centre de la Photographie Gen\u00e8ve, wrote in 2011:
\u201cHsieh Chun-Te\u2019s large photographic tableaux, staged like tableaux vivants, exude the storm-like anger of gods. Printed with deep blacks that resemble ink paintings, these images oscillate between focus and blur, realism and pictorialism, evoking both repulsion and fascination. Many unfold under the sign of Eros and Thanatos\u2014ritualized ceremonies where desire and death intertwine. As Dominique Pa\u00efni observed, their affinities reach toward Bataille and Goya, while their allegories reflect Taiwan\u2019s rapid modernization and the dislocation of its rural life.\u201d<\/p>

French philosopher and historian of photography Monique Sicard, who later directed the
film Scenes and Dreams of Hsieh Chun-Te, offered another lens of interpretation. She reminded audiences that what many critics once dismissed as \u201csadistic photomontages\u201d were, in fact, cinematic-scale realities\u2014scenes staged with dozens of participants, trucks transporting sets, ancestral mansions transformed, swimmers imitating storyboard sketches. For Sicard, these were not manipulations of images but living rituals, blurring photography and performance. <\/p>

She discerned in Hsieh\u2019s practice a profound attention to suffering, displacement, and history\u2014 whether in the Danshuei River series, where the river itself became a metaphor for the victims of the 1947 February 28 Incident, or in his reinterpretations of abandoned beliefs and fractured family ties among Taiwan\u2019s migrant communities. \u201cThe other is just an other, simple as that,\u201d she concluded, situating Hsieh\u2019s art not in exotic spectacle, but in its unflinching proximity to the realities of Taiwan\u2019s modern condition.<\/p>

Hsieh\u2019s practice spans portraiture, documentary, staged photography, advertising, music video and documentary direction, stage design, poetry, installation, fashion, culinary theatre, multimedia, and digital art\u2014making him one of Taiwan\u2019s most versatile contemporary artists.
In recent years, he has been immersed in an eighteen-year epic, Parallel Universe, comprising Part 1 Celestial Fire, Part 2 Brave New World, and Part 3 Time\u2019s Blood\u2014a meditation on the soul\u2019s return and the essence of \u201chome.\u201d From 2012 to 2017, Hsieh was one of three photographers selected for the CNRS (Institut des Textes et Manuscrits Modernes) research program Genesis of the Image, led by Monique Sicard. Over three years, the team produced a documentary on Hsieh\u2019s creative background and process, completed in 2014.<\/p>

From Homeland to Sanchong, from Feast of Chun-Te in Venice to Parallel Universe in Taipei, Hsieh Chun-Te continues to confront the indifference of his era through a poetic visual language, transforming personal history and Taiwan\u2019s collective memory into an art epic spanning half a century.<\/p> <\/div>\n<\/div>\n\n

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Chronology<\/h3> <\/div>\n<\/div>\n\n
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1949<\/b>
Born in Taichung City, Taiwan

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1965<\/b>
Studied Textile Department at Shalu Vocational High School, Taichung County (incomplete)

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1965<\/b>
Wrote to Kawade Tomohisa, publisher of Kawade Shobo Shinsha in Japan, requesting a complete set of the\u00a0Modern World Art Series<\/i>. He generously sent me all 12 volumes.
Through his kindness and gift, my artistic world expanded immensely \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/p> <\/div>\n<\/div>\n

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1966<\/b><\/p>\n

With my mother\u2019s prayers offered to heaven, I left my hometown for Taipei, vowing to change the world through art.<\/p> <\/div>\n<\/div>\n

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1976\u00a0<\/span><\/span><\/p>\n

Founded\u00a0THE\u00a0 <\/span>IMAGE\u00a0 <\/span>Magazine<\/p> <\/div>\n<\/div>\n

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1975\u20132001<\/span><\/p>\n

Stage photography for performance groups including:<\/p>\n

Cloud Gate Dance Theatre, Lanling Theatre Workshop, Ya Yin Ensemble, Contemporary Legend Theatre,<\/p>\n

Tai Gu Tales Dance Theatre, Halo Dance Troupe, U-Theatre, and Performance Workshop<\/p> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n

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1974\u20132000<\/span>
Fashion photography<\/p> <\/div>\n<\/div>\n

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1992\u20131994<\/span>
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Produced and directed music videos, television commercials, and print advertisements.<\/p> <\/div>\n<\/div>\n

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1981\u20132001<\/span>
From the Tangwai (\u201coutside the party\u201d) period onward, produced and designed campaign materials for opposition candidates, before the founding of the Democratic Progressive Party (DPP).<\/p> <\/div>\n<\/div>\n

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This included the campaign poster of the Democratic Progressive Party\u2019s publicity department, designed and conceptualized by Hsieh Chun-Te, featuring a film still from Hou Hsiao-Hsien\u2019s A City of Sadness (photographed by Chen Shao-Wei) digitally composited with the Presidential Office.<\/div> <\/div>\n<\/div>\n
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2002\u20132008<\/span>
Co-founded Cestbon Restaurant with friends, serving as culinary director, spatial designer, and tableware designer.
2008 Cestbon Restaurant was selected by Phaidon as one of the \u201c100 Best New Restaurants i0n the World.\u201d<\/p> <\/div>\n<\/div>\n

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2012\u20132017<\/span>
Selected by the French National Centre for Scientific Research (CNRS) as one of three principal photographers in the research project Genesis of the Image.
Project director Monique Sicard led a production team to Taiwan in 2012 to film a documentary on Hsieh Chun-Te. The three-year project was completed in 2014<\/p> <\/div>\n<\/div>\n\n

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\u00a0<\/div>\n

2012 \u2013 Monique Sicard in Taiwan<\/span><\/p>\n

Philosopher and historian of photography, Monique Sicard, visited Taiwan with her team to document the work of Hsieh Chun-Te as part of the CNRS project.<\/p> <\/div>\n<\/div>\n

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Solo Exhibition
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1969<\/strong>
First Solo Photography Exhibition Midnight \u00b7 Riverbed (Seikosha Gallery, Taipei)<\/p> <\/div>\n<\/div>\n

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1975<\/span>
<\/span>Second Solo Photography Exhibition Classical Association (Lincoln Center, United States Information Service, Taipei) (Provincial Library, Taichung)<\/span><\/p>\n

(United States Information Service, Tainan)<\/p> <\/div>\n<\/div>\n

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\u00a01979<\/strong><\/p>\n

Third Solo Photography Exhibition My Land, My People (Spring Gallery, Taipei)
(Taichung City Cultural Center) (American Cultural Center, Kaohsiung)<\/p> <\/div>\n<\/div>\n

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\u00a01986<\/strong><\/p>\n

Fifth Solo Photography Exhibition Faces of Our Time (Spring Gallery, Taipei)
<\/span>(Taoyuan County Cultural Center) (Taichung City Cultural Center)
<\/span>(Tainan City Cultural Center)
<\/span>(Chung Cheng Cultural Center, Kaohsiung)<\/span><\/p> <\/div>\n<\/div>\n

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1988<\/span>
Sixth Solo Photography Exhibition Homeland (Lion Art Gallery, Taipei)
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2002<\/span>
Seventh Solo Photography Exhibition None-Zone Moving (Eslite Bookstore, Dun-Nan, Taipei)
(Eslite Bookstore, Hsinchu) (Eslite Bookstore, Taichung) (Eslite Bookstore, Tainan) (Eslite Bookstore, Kaohsiung<\/p> <\/div>\n<\/div>\n

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2011<\/span>
The 54th Venice Biennale Chun-Te\u2019s Feast\uff08RAW\uff09
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2016<\/span>
Parallel Universe Series \u2013 Brave The World (Museum of Contemporary Art, Taipei)
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2018<\/span>
Parallel Universe Series \u2013 Ten-Ka
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2021<\/span>
Final Chapter of Parallel Universe Series \u2013NEXEN (National Taiwan Museum of Fine Arts, Taichung)
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2022<\/span>
Final Chapter of Parallel Universe Series \u2013 NEXEN<\/p> <\/div>\n<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n","protected":false},"excerpt":{"rendered":"

History<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2712","page","type-page","status-publish","hentry","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"yoast_head":"\nHistory - Hsieh Chun-Te<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/01x10.tw\/en\/history\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"History - Hsieh Chun-Te\" \/>\n<meta property=\"og:description\" content=\"History\" \/>\n<meta property=\"og:url\" content=\"https:\/\/01x10.tw\/en\/history\/\" \/>\n<meta property=\"og:site_name\" content=\"Hsieh Chun-Te\" \/>\n<meta property=\"article:modified_time\" content=\"2026-06-08T04:15:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/24FFA0CB-9A6A-46DC-AA61-74A63F499391.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2067\" \/>\n\t<meta property=\"og:image:height\" content=\"1753\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"37 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/01x10.tw\\\/en\\\/history\\\/\",\"url\":\"https:\\\/\\\/01x10.tw\\\/en\\\/history\\\/\",\"name\":\"History - 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What began as street sketching to hone his drawing skills led him unexpectedly into the world of photography. At seventeen, his father sold farmland to purchase a camera and a 16mm movie camera for him. With these tools, Hsieh left home for Taipei.<br>At nineteen, he held his first solo exhibition, The Riverbed, at the Seikosha Gallery in Taipei, earning the title of \u201cNineteen-Year-Old Green Hand\u201d from the inaugural issue of Photography Century.<\/p><p>At twenty, he was drafted and served three years in Kinmen as a military photographer, enduring artillery bombardments from across the strait. His role also required photographing executions of prisoners\u2014experiences that left an indelible imprint of \u201cdeath rituals\u201d on his artistic consciousness, shaping the recurring themes of endings and rebirth in his later works. Returning home after military service, he found his family\u2019s farmland consumed by urban sprawl, unable to find the road back\u2014becoming, in his words, a self-exiled witness.<br>From the 1970s to the 1980s, he traveled across Taiwan\u2019s villages and indigenous settlements for fifteen years, creating the documentary series Homeland. In the era of martial law and strict surveillance, his photographic activities often drew suspicion, resulting in interrogations and confiscated film. Despite this, Homeland\u2014with its rich color aesthetics and poetic narrative\u2014 earned him the titles \u201cPoet of Color\u201d and \u201cPoet of Images,\u201d offering solace to a generation living through political unrest.<\/p><p>In 1987, Hsieh relocated to the industrial outskirts of Taipei\u2014Sanchong and Luzhou\u2014settling among migrant workers from Taiwan\u2019s south. Again using \u201chome\u201d as his conceptual axis, he began the 24-year epic Sanchong Project, a staged photographic series chronicling the human cost of Taiwan\u2019s rapid industrialization: families shattered by political violence, rural migrants coping with fractured kinship, sexual repression and release in ritual celebrations, and youth challenging entrenched social orders through emergent gender consciousness. Starting from hand-drawn storyboards, Hsieh assembled teams to produce images on a cinematic scale. The work culminated in RAW, presented in 2011 at the Venice Biennale as Feast of Chun-Te, combining photographic installation, spatial design, and culinary theatre.<br>Critics praised his audacity. Lib\u00e9ration described it as \u201cone of the most staggering performances in the history of the Biennale,\u201d while curator Dominique Pa\u00efni observed in his imagery \u201ca world steeped in the atmosphere of a storm after the mistake, where the body becomes a site of punishment, humiliation, and ritual.\u201d<\/p>\n<p>As Joerg Bader, Director of the Centre de la Photographie Gen\u00e8ve, wrote in 2011:<br>\u201cHsieh Chun-Te\u2019s large photographic tableaux, staged like tableaux vivants, exude the storm-like anger of gods. Printed with deep blacks that resemble ink paintings, these images oscillate between focus and blur, realism and pictorialism, evoking both repulsion and fascination. Many unfold under the sign of Eros and Thanatos\u2014ritualized ceremonies where desire and death intertwine. As Dominique Pa\u00efni observed, their affinities reach toward Bataille and Goya, while their allegories reflect Taiwan\u2019s rapid modernization and the dislocation of its rural life.\u201d<\/p><p>French philosopher and historian of photography Monique Sicard, who later directed the <br>film Scenes and Dreams of Hsieh Chun-Te, offered another lens of interpretation. She reminded audiences that what many critics once dismissed as \u201csadistic photomontages\u201d were, in fact, cinematic-scale realities\u2014scenes staged with dozens of participants, trucks transporting sets, ancestral mansions transformed, swimmers imitating storyboard sketches. For Sicard, these were not manipulations of images but living rituals, blurring photography and performance. <\/p><p>She discerned in Hsieh\u2019s practice a profound attention to suffering, displacement, and history\u2014 whether in the Danshuei River series, where the river itself became a metaphor for the victims of the 1947 February 28 Incident, or in his reinterpretations of abandoned beliefs and fractured family ties among Taiwan\u2019s migrant communities. \u201cThe other is just an other, simple as that,\u201d she concluded, situating Hsieh\u2019s art not in exotic spectacle, but in its unflinching proximity to the realities of Taiwan\u2019s modern condition.<\/p><p>Hsieh\u2019s practice spans portraiture, documentary, staged photography, advertising, music video and documentary direction, stage design, poetry, installation, fashion, culinary theatre, multimedia, and digital art\u2014making him one of Taiwan\u2019s most versatile contemporary artists.<br>In recent years, he has been immersed in an eighteen-year epic, Parallel Universe, comprising Part 1 Celestial Fire, Part 2 Brave New World, and Part 3 Time\u2019s Blood\u2014a meditation on the soul\u2019s return and the essence of \u201chome.\u201d From 2012 to 2017, Hsieh was one of three photographers selected for the CNRS (Institut des Textes et Manuscrits Modernes) research program Genesis of the Image, led by Monique Sicard. Over three years, the team produced a documentary on Hsieh\u2019s creative background and process, completed in 2014.<\/p><p>From Homeland to Sanchong, from Feast of Chun-Te in Venice to Parallel Universe in Taipei, Hsieh Chun-Te continues to confront the indifference of his era through a poetic visual language, transforming personal history and Taiwan\u2019s collective memory into an art epic spanning half a century.<\/p>\n<h3>Chronology<\/h3>\n<p><b>1949<\/b><br>Born in Taichung City, Taiwan<br><br><\/p> <p><b>1965<\/b><br>Studied Textile Department at Shalu Vocational High School, Taichung County (incomplete)<br><br><\/p> <p><b>1965<\/b><br>Wrote to Kawade Tomohisa, publisher of Kawade Shobo Shinsha in Japan, requesting a complete set of the\u00a0<i>Modern World Art Series<\/i>. He generously sent me all 12 volumes.<br>Through his kindness and gift, my artistic world expanded immensely \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/24FFA0CB-9A6A-46DC-AA61-74A63F499391-1024x868-600x550.jpg\" width=\"600\" height=\"550\" title=\"\u6cb3\u51fa\u670b\u4e45\" alt=\"\u6cb3\u51fa\u670b\u4e45\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/82D604C8-7D62-48B3-A655-61F1C4C55EBF-1012x1024-600x550.jpg\" width=\"600\" height=\"550\" title=\"Gift\" alt=\"Gift\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/6B346191-18BA-4FDF-B9B0-354EE3D5CA5C-928x1024-600x550.jpg\" width=\"600\" height=\"550\" title=\"Complete Collection of Modern Art Paintings\" alt=\"Complete Collection of Modern Art Paintings\">\n<p><b>1966<\/b><\/p> <p>With my mother\u2019s prayers offered to heaven, I left my hometown for Taipei, vowing to change the world through art.<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/60C2ADC8-69A6-4B59-ABA0-FA4C3A8E2BD4-600x400.jpg\" width=\"600\" height=\"400\" title=\"Pray for blessings\" alt=\"Pray for blessings\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/4FA4B94E-1F8F-4B76-B802-8257400B202F-600x400.jpg\" width=\"600\" height=\"400\" title=\"Leaving home\" alt=\"Leaving home\">\n<p>1976\u00a0<\/p> <p>Founded\u00a0THE\u00a0 IMAGE\u00a0 Magazine<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/7D84F1DF-837F-4738-80CA-A5046E64C776-750x1024-580x600.jpg\" width=\"580\" height=\"600\" title=\"Photography magazine\" alt=\"Photography magazine\">\n<p>1975\u20132001<\/p> <p>Stage photography for performance groups including:<\/p> <p>Cloud Gate Dance Theatre, Lanling Theatre Workshop, Ya Yin Ensemble, Contemporary Legend Theatre,<\/p> <p>Tai Gu Tales Dance Theatre, Halo Dance Troupe, U-Theatre, and Performance Workshop<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/3CA8016F-AE15-4228-8EB0-3CC4628E25B6-1024x720-600x500.jpg\" width=\"600\" height=\"500\" title=\"3CA8016F-AE15-4228-8EB0-3CC4628E25B6\" alt=\"3CA8016F-AE15-4228-8EB0-3CC4628E25B6\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/D282F227-A3EE-4917-8848-22495EC4E94F-600x500.jpg\" width=\"600\" height=\"500\" title=\"Stage photography\" alt=\"Stage photography\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/72DF635C-1B25-446A-BECE-8746825FFB18-600x500.jpg\" width=\"600\" height=\"500\" title=\"Stage photography\" alt=\"Stage photography\">\n<p>1974\u20132000<br>Fashion photography<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/B297B159-D558-427E-9CFB-4DCB6027B9C0-460x580.jpg\" width=\"460\" height=\"580\" title=\"Fashion Photography\" alt=\"Fashion Photography\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/04\/\u500b\u4eba\u7c21\u6b77-44-photo\u7248-500x600.jpg\" width=\"500\" height=\"600\" title=\"\u500b\u4eba\u7c21\u6b77-44-photo\u7248\" alt=\"\u500b\u4eba\u7c21\u6b77-44-photo\u7248\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/04\/\u500b\u4eba\u7c21\u6b77-43-photo\u7248-500x600.jpg\" width=\"500\" height=\"600\" title=\"\u500b\u4eba\u7c21\u6b77-43-photo\u7248\" alt=\"\u500b\u4eba\u7c21\u6b77-43-photo\u7248\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/4D3DF143-5CC3-479F-B8AF-528093B9D88F-1022x1024-650x600.jpg\" width=\"650\" height=\"600\" title=\"MV\" alt=\"MV\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/2A091F0E-0A0D-42FD-B04B-FEE1A1D18BE2-600x250.jpg\" width=\"600\" height=\"250\" title=\"Fashion Shot\" alt=\"Fashion Shot\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/4505E0F4-6677-47C7-8CDD-90A1778A20AC-600x250.jpg\" width=\"600\" height=\"250\" title=\"Fashion Shot\" alt=\"Fashion Shot\">\n<p>1992\u20131994<br><\/p><p>Produced and directed music videos, television commercials, and print advertisements.<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2026\/03\/03\u6642\u5c1a-\u4e2d\u8208\u767e\u8ca8-\u9673\u6021\u4f36-667x1024-580x900.jpg\" width=\"580\" height=\"900\" title=\"\u4e2d\u8208\u767e\u8ca8-\u9673\u6021\u4f36\" alt=\"\u8b1d\u6625\u5fb7-\u6642\u5c1a\u651d\u5f71-\u4e2d\u8208\u767e\u8ca8\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2026\/03\/05\u6642\u5c1a-\u4e2d\u8208\u767e\u8ca8-667x1024-580x900.jpg\" width=\"580\" height=\"900\" title=\"\u4e2d\u8208\u767e\u8ca802\" alt=\"\u8b1d\u6625\u5fb7-\u6642\u5c1a\u651d\u5f71-\u4e2d\u8208\u767e\u8ca8\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2026\/03\/04\u6642\u5c1a-\u4e2d\u8208\u767e\u8ca8-666x1024-580x900.jpg\" width=\"580\" height=\"900\" title=\"\u4e2d\u8208\u767e\u8ca801\" alt=\"\u8b1d\u6625\u5fb7-\u6642\u5c1a\u651d\u5f71-\u4e2d\u8208\u767e\u8ca8\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/34C08168-932B-4AA9-B8C5-F3BCCDA866B9-801x1024-580x900.jpg\" width=\"580\" height=\"900\" title=\"Portrait \u76e7\u71d5\" alt=\"Portrait \u76e7\u71d5\">\n<br><p>1981\u20132001<br>From the Tangwai (\u201coutside the party\u201d) period onward, produced and designed campaign materials for opposition candidates, before the founding of the Democratic Progressive Party (DPP).<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/5466E880-D674-4594-9C53-367276D72901-600x550.jpg\" width=\"600\" height=\"550\" title=\"Report photography\" alt=\"Report photography\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/753BDF5A-EDA3-406E-B5EF-5F9B42A2ACD8-1024x675-600x550.jpg\" width=\"600\" height=\"550\" title=\"Report photography\" alt=\"Report photography\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/275C091C-4A40-43E5-8EB0-DF2770359D68-1024x675-600x550.jpg\" width=\"600\" height=\"550\" title=\"Report photography\" alt=\"Report photography\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/CD301691-0437-4C2D-A89B-5E39D11B0E8E-1024x673-600x550.jpg\" width=\"600\" height=\"550\" title=\"Report photography\" alt=\"Report photography\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/11D44149-F2AB-4C40-B5BD-47D7D179C757-1024x665-600x550.jpg\" width=\"600\" height=\"550\" title=\"Report photography\" alt=\"Report photography\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/841C360C-E5CF-4889-9B0A-2293117A854A-600x550.jpg\" width=\"600\" height=\"550\" title=\"Report photography\" alt=\"Report photography\">\nThis included the campaign poster of the Democratic Progressive Party\u2019s publicity department, designed and conceptualized by Hsieh Chun-Te, featuring a film still from Hou Hsiao-Hsien\u2019s A City of Sadness (photographed by Chen Shao-Wei) digitally composited with the Presidential Office.\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/79902E3D-2854-43DE-A6C3-160F4737090B-1024x773-800x600.jpg\" width=\"800\" height=\"600\" title=\"Report photography\" alt=\"Report photography\">\n<br><p><br>2002\u20132008<br>Co-founded Cestbon Restaurant with friends, serving as culinary director, spatial designer, and tableware designer.<br>2008 Cestbon Restaurant was selected by Phaidon as one of the \u201c100 Best New Restaurants i0n the World.\u201d<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/11\/11\u67085\u65e5\u98df\u65b9\u9910\u5ef3-1-768x1024-400x550.jpg\" width=\"400\" height=\"550\" title=\"11\u67085\u65e5\u98df\u65b9\u9910\u5ef3 (1)\" alt=\"11\u67085\u65e5\u98df\u65b9\u9910\u5ef3 (1)\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/639CD56A-1CFE-48F1-979E-59B0ADCCF517-724x1024-400x550.jpg\" width=\"400\" height=\"550\" title=\"639CD56A-1CFE-48F1-979E-59B0ADCCF517\" alt=\"639CD56A-1CFE-48F1-979E-59B0ADCCF517\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/5E909349-E242-41D8-9130-73FA1CF02EA4-779x1024-400x550.jpg\" width=\"400\" height=\"550\" title=\"5E909349-E242-41D8-9130-73FA1CF02EA4\" alt=\"5E909349-E242-41D8-9130-73FA1CF02EA4\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/51157C44-F9F5-4E5E-9458-B8AE5BD57CED-782x1024-400x550.jpg\" width=\"400\" height=\"550\" title=\"51157C44-F9F5-4E5E-9458-B8AE5BD57CED\" alt=\"51157C44-F9F5-4E5E-9458-B8AE5BD57CED\">\n<p>2012\u20132017<br>Selected by the French National Centre for Scientific Research (CNRS) as one of three principal photographers in the research project Genesis of the Image.<br>Project director Monique Sicard led a production team to Taiwan in 2012 to film a documentary on Hsieh Chun-Te. The three-year project was completed in 2014<\/p>\n\u00a0 <p>2012 \u2013 Monique Sicard in Taiwan<\/p> <p>Philosopher and historian of photography, Monique Sicard, visited Taiwan with her team to document the work of Hsieh Chun-Te as part of the CNRS project.<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/07\/01-1024x768-600x500.jpg\" width=\"600\" height=\"500\" title=\"01\" alt=\"01\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/07\/02-1024x768-600x500.jpg\" width=\"600\" height=\"500\" title=\"02\" alt=\"02\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/07\/03-1024x768-600x500.jpg\" width=\"600\" height=\"500\" title=\"03\" alt=\"03\">\n\u00a0 Solo Exhibition<br> \u00a0 \u00a0 <p><strong>1969<\/strong><br>First Solo Photography Exhibition Midnight \u00b7 Riverbed (Seikosha Gallery, Taipei)<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/056520DD-EB9C-47B7-82DD-2F0D1B267A65-1024x722-600x550.jpg\" width=\"600\" height=\"550\" title=\"1969 First Exhibition\" alt=\"1969 First Exhibition\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/04\/16-\u7b2c\u4e00\u6b21\u651d\u5f71\u500b\u5c55-\u4f38\u5411\u5929\u7a7aDutstretch-into-Sk1968-1-1024x689-600x550.jpg\" width=\"600\" height=\"550\" title=\"Dutstretch into Sky 1968\" alt=\"Dutstretch into Sky 1968\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/A767B203-1484-499B-BA71-1093AC92DFF7-1024x734-600x550.jpg\" width=\"600\" height=\"550\" title=\"\u90ce\u975c\u5c71\" alt=\"\u90ce\u975c\u5c71\">\n<p>1975<br>Second Solo Photography Exhibition Classical Association (Lincoln Center, United States Information Service, Taipei) (Provincial Library, Taichung)<\/p> <p>(United States Information Service, Tainan)<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/0CFDB4A0-0306-41A9-B74F-EB5E595745A1-600x550.jpg\" width=\"600\" height=\"550\" title=\"0CFDB4A0-0306-41A9-B74F-EB5E595745A1\" alt=\"0CFDB4A0-0306-41A9-B74F-EB5E595745A1\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/061975-\u53f0\u4e2d\u6797\u5bb6\u82b1\u5712-1013x1024-600x550.jpg\" width=\"600\" height=\"550\" title=\"Lin Family Garden, Taichung\" alt=\"Lin Family Garden, Taichung\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/201975-\u6797\u5bb6\u82b1\u5712-1024x1024-600x550.jpg\" width=\"600\" height=\"550\" title=\"The Crimson Wall\" alt=\"The Crimson Wall\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/151975\u53e4\u5178\u7684\u806f\u60f3-\u6797\u5bb6\u82b1\u5712-1024x1015-600x550.jpg\" width=\"600\" height=\"550\" title=\"Drying Spring\" alt=\"Drying Spring\">\n<p>\u00a0<strong>1979<\/strong><\/p> <p>Third Solo Photography Exhibition My Land, My People (Spring Gallery, Taipei)<br>(Taichung City Cultural Center) (American Cultural Center, Kaohsiung)<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/10_Orchid-Island-Taitung-681x1024-400x550.jpg\" width=\"400\" height=\"550\" title=\"Orchid Island, Taitung\" alt=\"Orchid Island, Taitung\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/15_Chihpen-Taitung-County-672x1024-400x550.jpg\" width=\"400\" height=\"550\" title=\"Chihpen, Taitung County\" alt=\"Chihpen, Taitung County\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/10\/10AD34DD-C340-49A9-B837-3ADB3BE89279-1024x675-860x550.jpg\" width=\"860\" height=\"550\" title=\"\u8fb2\u5a66-1979\" alt=\"\u8fb2\u5a66-1979\">\n<p>\u00a0<strong>1986<\/strong><\/p> <p>Fifth Solo Photography Exhibition Faces of Our Time (Spring Gallery, Taipei)<br>(Taoyuan County Cultural Center) (Taichung City Cultural Center)<br>(Tainan City Cultural Center)<br>(Chung Cheng Cultural Center, Kaohsiung)<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/1986-01-817x1024-400x550.jpg\" width=\"400\" height=\"550\" title=\"1986-01\" alt=\"1986-01\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/1986-02-818x1024-400x550.jpg\" width=\"400\" height=\"550\" title=\"1986-02\" alt=\"1986-02\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/1986-05-814x1024-400x550.jpg\" width=\"400\" height=\"550\" title=\"1986-05\" alt=\"1986-05\">\n<p>1988<br>Sixth Solo Photography Exhibition Homeland (Lion Art Gallery, Taipei)<br><\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/22_Jiadong-Pingtung-County-1024x673-600x450.jpg\" width=\"600\" height=\"450\" title=\"Jiadong, Pingtung County\" alt=\"Jiadong, Pingtung County\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/12_Green-Island-Taitung-County-1024x702-600x450.jpg\" width=\"600\" height=\"450\" title=\"Green Island, Taitung County\" alt=\"Green Island, Taitung County\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/05_-Tainan-City-1024x671-600x450.jpg\" width=\"600\" height=\"450\" title=\"Tainan City\" alt=\"Tainan City\">\n<p>2002<br>Seventh Solo Photography Exhibition None-Zone Moving (Eslite Bookstore, Dun-Nan, Taipei)<br>(Eslite Bookstore, Hsinchu) (Eslite Bookstore, Taichung) (Eslite Bookstore, Tainan) (Eslite Bookstore, Kaohsiung<\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/13_The-Hall-of-Supreme-Harmony-1024x682-600x450.jpg\" width=\"600\" height=\"450\" title=\"The Hall of Supreme Harmony\" alt=\"The Hall of Supreme Harmony\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/01_Flying-1024x682-600x450.jpg\" width=\"600\" height=\"450\" title=\"Flying\" alt=\"Flying\" srcset=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/01_Flying-1024x682-600x450.jpg 600w, https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/01_Flying-1024x682-400x300.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/12_Pink-clothes-1024x681-600x450.jpg\" width=\"600\" height=\"450\" title=\"Pink clothes\" alt=\"Pink clothes\" srcset=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/12_Pink-clothes-1024x681-600x450.jpg 600w, https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/12_Pink-clothes-1024x681-400x300.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/>\n<p>2011<br>The 54th Venice Biennale Chun-Te\u2019s Feast\uff08RAW\uff09<br><\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/04\/18-RAW-he-Tears-of-Danshuei-River-1987-2010-150cmx200-cm-1024x793-600x450.jpg\" width=\"600\" height=\"450\" title=\"He Tears of Danshuei River 1987-2010\" alt=\"He Tears of Danshuei River 1987-2010\" srcset=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/04\/18-RAW-he-Tears-of-Danshuei-River-1987-2010-150cmx200-cm-1024x793-600x450.jpg 600w, https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/04\/18-RAW-he-Tears-of-Danshuei-River-1987-2010-150cmx200-cm-1024x793-400x300.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/04\/02-RAW-Wondering-Artists-1987-2010-150cmx200-cm-1024x806-600x450.jpg\" width=\"600\" height=\"450\" title=\"Wondering-Artists-1987-2010\" alt=\"Wondering-Artists-1987-2010\" srcset=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/04\/02-RAW-Wondering-Artists-1987-2010-150cmx200-cm-1024x806-600x450.jpg 600w, https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/04\/02-RAW-Wondering-Artists-1987-2010-150cmx200-cm-1024x806-400x300.jpg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/04\/14-RAW-Bitches-1987-2010-240cmx300cm-1-1024x823-600x450.jpg\" width=\"600\" height=\"450\" title=\"Bitches-1987-2010\" alt=\"Bitches-1987-2010\">\n<p><br>2016<br>Parallel Universe Series \u2013 Brave The World (Museum of Contemporary Art, Taipei)<br><\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/07\/b14-1024x570-600x350.jpg\" width=\"600\" height=\"350\" title=\"Exhibition\" alt=\"Exhibition\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/07\/b06-1024x578-600x350.jpg\" width=\"600\" height=\"350\" title=\"b06\" alt=\"b06\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/07\/b05-1024x568-600x350.jpg\" width=\"600\" height=\"350\" title=\"b05\" alt=\"b05\">\n<p>2018<br>Parallel Universe Series \u2013 Ten-Ka<br>(Museum of National Taipei University of Educatio<br><\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/02-Revelation-1024x339-600x300.jpg\" width=\"600\" height=\"300\" title=\"Revelation\" alt=\"Revelation\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/06\/23-Before-Sunrise-1024x331-600x300.jpg\" width=\"600\" height=\"300\" title=\"Before Sunrise\" alt=\"Before Sunrise\">\n<p><br>2021<br>Final Chapter of Parallel Universe Series \u2013NEXEN (National Taiwan Museum of Fine Arts, Taichung)<br><\/p>\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/07\/40-1024x563-600x350.jpg\" width=\"600\" height=\"350\" title=\"40\" alt=\"40\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/07\/37-1024x574-600x350.jpg\" width=\"600\" height=\"350\" title=\"37\" alt=\"37\">\n<img src=\"https:\/\/01x10.tw\/en\/wp-content\/uploads\/2025\/07\/13-1-1024x767-600x350.jpg\" width=\"600\" height=\"350\" title=\"13\" alt=\"13\">\n<p><br>2022<br>Final Chapter of Parallel Universe Series \u2013 NEXEN<\/p>","_links":{"self":[{"href":"https:\/\/01x10.tw\/en\/wp-json\/wp\/v2\/pages\/2712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/01x10.tw\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/01x10.tw\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/01x10.tw\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/01x10.tw\/en\/wp-json\/wp\/v2\/comments?post=2712"}],"version-history":[{"count":139,"href":"https:\/\/01x10.tw\/en\/wp-json\/wp\/v2\/pages\/2712\/revisions"}],"predecessor-version":[{"id":8147,"href":"https:\/\/01x10.tw\/en\/wp-json\/wp\/v2\/pages\/2712\/revisions\/8147"}],"wp:attachment":[{"href":"https:\/\/01x10.tw\/en\/wp-json\/wp\/v2\/media?parent=2712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}